IB themes and variations music composition work

Jason ChanThemes and change rootIn this composition, we were given the chords G ? A ? C ? D ? G ? C ? D ? G and our task is to expenditure these chords to write a melodic themes and variation straining. My composition imitates the movement of Pachelbel?s locate in D. This air is played by the draw quintet performers ( fiddle 1, Violin 2, genus genus Viola and Cello), and a cembalo. This song starts go forth with harpsichord, viola and cello. Cello is playing a basso figured bass of G ? A ? C ? D ? G ? C ? D ? G thought out the whole song. cembalo also supports the cello plainly repeating the chords in the song. later on the harpsichord and cello finishes playing the chords once, Violin 1 joins in. Violin 2 is added as a canon to play with fiddle 1 after 4 cast outs. Violin 1 turns from quaternate agate lines to 8th notes after 4 halts. On break 17, Viola starts to play quarter notes and fiddle 1 introduces the theme. Violin 2 repeats the theme after 4 proscr ibes while fiddle 1 is playing the harmonic notes of the theme. Violin 1 has 12 sexual inversion notes from violin 2 on band 22. On bar 25, there is a swoon adventure from the theme in violin 1. Notes that atomic number 18 played are scummy chord notes from the basso continuo. Viola on bar 25 changes to 16th notes, playing the tonic notes from the chords of harpsichord. On bar 29, violin 1 plays the inversion of violin 2, but on the brawny beat. Viola slows protrude and repeats what is played on bar 21 again. The theme is recurrent once again on bar 33 from violin 1 except that for every(prenominal) second note of the theme it is replaced by the tonic note of the chords the harpsichord is playing. On bar 27 the song slows down with violin 1 playing 8th notes. Bar 9 is repeated on bar 41 till the end. end-to-end this song there were several large changes I had to pee in order to finish the song. My first idea of the song was to stool different instruments playing the the me plus variation. It?s more(prenominal) of! a solo show saturnine rather than a canon.

By imitating ?Canon in D? by Pachelbel, it better my song. I?ve act Pachelbel?s canon in D style, which is starting off slow and changing the notes twice as much each(prenominal) time the bass notes are looped. On the syncopation bitstock part, I had to make incontestable the notes wouldn?t score a big dissonance. It is relativity difficult to make sure the inversion in the duet stays within the instrument range, but the final results wasn?t as expected. The notes excided the range of the instrument. In order to fix this problem, I had to set the notes a lilliputian adjacent to the tonic so the inversion won?t be out of the range. Chan, Jason Y. Themes and variation composition write up. Themes and variation composition write up (2009): 1-1. If you want to get a luxuriant essay, order it on our website: OrderCustomPaper.com

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