Issues of Mannerism Essay -- Essays Papers

Issues of foibleThe movement in painting that is now referred to as affectedness began in Italy around 1520, influenced guileists passim Europe, and lasted until the end of the sixteenth century. The word Mannerism originates from the Italian word maniera which translates into the side word style. The basis of Mannerism then is style its a period of art where the focus was on grace and beauty. While forgo trends of renascence art looked to temperament to find their style, working to perfect it, Mannerists manipulated nature creating a gross perfection of human form, idealizing forms to the point of abstraction. Definitions of Mannerist art as well as the reasons for its appearance as a movement atomic number 18 still contested today. For a definition of mannerism to have validity, it mustiness offer a valid origination of the movement. Much is revealed when the reasons behind a certain artistic expression are clear. Until the 19th century, Mannerist art was considered by most(prenominal) to be perverse and capricious. It was considered simply an excessive use of a specific manner of which contained qualities that were strange and unjustified. It was thought that extravagance, a need for change magnitude productivity, and a lack of artistic knowledge led to the Mannerist style. In the archaean part of the 20th century, these generalizations were considered unfair, and many vernal theories about the origins of Mannerism surfaced. whatever theories suggest that artists were displaying a conscious deviance, painting against the rules of classical art, and rebelling against the High Renaissance and the ideal of naturalness. The spiritual unrest of the age is often considered the root of this deviant artistic behavior.John Shearman points out in Mannerism that the wars of the early 16th century created a period of economic and social disturbance creating the step-up of Mannerist style. He says most works of art are insulated in the psych e of the artist even from his personal crises, joys and tragedies (40). More reasonable, he says, are explanations of Mannerism in terms of sociological and religious influences. There was a new development in patronage during this period where works were commissioned for no other reason than to have a work made by a certain artist. Many times the subject, and/or the medium were to be decided upon by the artist. Rosso Fiorentinos Desc... ...tle Mannerism creates the illusion that it was a conscious movement like one of the 19th or 20th centuries. Mannerism didnt have a focus, the artists werent working toward a commons goal. The artists of Mannerism were influenced by all that came before them antiquity, their predecessors and artistic peers, but Mannerists were most importantly looking toward the future and their own imaginations. Artists were for the first time were creating art for the sake of art. The goal of art was no longer intended only as social or religious pro paganda to be determined by the patron. Mannerist art was influenced by imagination and based on fantasy, and it was largely aimed at the enjoyment of an audience. Works CitedTansey, Richard G. and Fred S. Kleiner. Gardners Art Through the Ages. Fort expenditure Harcourt Brace, 1996.Janson, H.W. and Anthony F. Janson. History of Art. vernal York Harry N. Abrams, 1997.Fenton, James. Introduction. Les Miserables. By Victor Hugo. New York Dewynters, 1997.Waldman, Diane. Roy Lichtenstein. New York Rizzoli International, 1993.Waldman, Diane. Roy Lichtenstein. Austria Solomon R. Guggenheim Foundation, 1969.